North Carolina Museum of Art
Tuesday, September 14, 7:30pm
Know Before You Go Reggie WilsonTickets: $30
General Admission Subscription to all 8 performances: $175
Kids’ Night Out Tickets: With the purchase of an adult ticket you can get a free ticket for a kid ages 6 to 17
IMPORTANT: When purchasing tickets, you will be asked to create an account to purchase online tickets.
(This does not mean you have to become a MEMBER of the museum)
important info to know before you attend the performance. read here!
Following local ordinances, visitors to the North Carolina Museum of Art are required to wear a mask inside all buildings, including restrooms and concession buildings. For the safety of everyone, we ask that all outdoor event attendees wear masks both outdoors and indoors. Learn more about these updates at ncartmuseum.org/covid19.
Brooklyn-based dance company Reggie Wilson/Fist and Heel Performance Group’s works display rigor, structure, and craft in a postmodern dance vernacular. The company will present CITIZEN (excerpt), a series of solos that asks, “What does it mean to belong and what does it mean to NOT want to belong?” INTRODUCTION (a solo performed by Reggie Wilson), is a contemporary experimental performance theater work where Wilson shares a very personal recount about his experience of the Spiritual Baptists religion in Trinidad and Tobago. the duet is a seemingly more traditional contemporary work where Wilson weaves an interesting story while playing with and investigating more deeply, duets.
ABOUT THE COMPANY
Reggie Wilson/Fist and Heel Performance Group is a Brooklyn-based dance company whose mission is to create, research, develop, and present new performance work that investigates the intersections of culture and movement practices. The Company’s body-of-works draw from the spiritual and mundane traditions of Africa and its Diaspora; Fist and Heel believes in the potential of the body as a valid means for knowing.
The choreography of Reggie Wilson displays rigor, structure and craft in a postmodern dance vernacular. His choreography expands the limitations of textbook definitions of ‘black dance’ and range from strict dance pieces to full, all-inclusive performance art pieces with arranged vocalizations, text, and inclusion of other media. Fist and Heel’s performance works strive for authenticity and respect of Reggie Wilson’s creative vision.
The Company has received support from major foundations and corporations and has performed in the United States and abroad at notable venues including Dance Theater Workshop, New York Live Arts, Brooklyn Academy of Music, REDCAT, John Michael Kohler Arts Center, Yerba Buena Center for the Arts, Jacob’s Pillow Dance Festival, and Festival Kaay Fecc in Senegal.
Reggie Wilson (Executive and Artistic Director, Choreographer, Performer) founded Fist and Heel Performance Group, in 1989. Wilson draws from the cultures of Africans in the Americas and combines them with post-modern elements and his own personal movement style to create what he often calls “post-African/Neo-HooDoo Modern dances.”
His work has been presented nationally and internationally at venues such as Brooklyn Academy of Music, New York Live Arts, and Summerstage (NYC), Jacob’s Pillow Dance Festival (Lee, MA), Yerba Buena Center for the Arts (San Francisco), UCLA Live, and Redcat (Los Angeles), VSA NM (New Mexico), Myrna Loy (Helena, MT), The Flynn (Burlington, VT), Contemporary Arts Center (New Orleans), Dance Umbrella (Austin, TX), Linkfest and Festival e’Nkundleni (Zimbabwe), Dance Factory (South Africa), Danças na Cidade (Portugal), Festival Kaay Fecc (Senegal), The Politics of Ecstasy, and Tanzkongress 2013 (Germany).
Wilson is a graduate of New York University, Tisch School of the Arts (1988, Larry Rhodes, Chair). He has studied composition and been mentored by Phyllis Lamhut; Performed and toured with Ohad Naharin before forming Fist and Heel. He has lectured, taught and conducted workshops and community projects throughout the US, Africa, Europe and the Caribbean. He has traveled extensively: to the Mississippi Delta to research secular and religious aspects of life there; to Trinidad and Tobago to research the Spiritual Baptists and the Shangoists; and also to Southern, Central, West and East Africa to work with dance/performance groups as well as diverse religious communities. He has served as visiting faculty at several universities including Yale, Princeton and Wesleyan.
Mr. Wilson is the recipient of the Minnesota Dance Alliance’s McKnight National Fellowship (2000-2001). Wilson is also a 2002 BESSIE-New York Dance and Performance Award recipient for his work The Tie-tongued Goat and the Lightning Bug Who Tried to Put Her Foot Down and a 2002 John Simon Guggenheim Fellow. He has been an artist advisor for the National Dance Project and Board Member of Dance Theater Workshop. In recognition of his creative contributions to the field, Mr. Wilson was named a 2009 United States Artists Prudential Fellow and is a 2009 recipient of the Herb Alpert Award in Dance. His evening-length work The Good Dance–dakar/ brooklyn had its World premiere at the Walker Art Center and NY premiere on the Brooklyn Academy of Music’s 2009 Next Wave Festival. In 2012, New York Live Arts presented a concert of selected Wilson works, theRevisitation, to critical acclaim and the same year he was named a Wesleyan University’s Creative Campus Fellow, received an inaugural Doris Duke Performing Artist Award, and received the 2012 Joyce Foundation Award for his successful work Moses(es) which premiered in 2013. His critically acclaimed work CITIZEN, premiered 2016 (FringeArts – World; BAM NextWave 2016 – NYC); both these works continue to tour. Wilson was curator of Danspace Project’s Dancing Platform Praying Grounds: Blackness, Churches, and Downtown Dance (Platform 2018) and created the commissioned work “…they stood shaking while others began to shout” specifically for the space at St. Mark’s Church in-the-Bowery. Most recently, he curated Grounds That Shout! (and others merely shaking), a series of performances in several Philadelphia historic sacred spaces. His newest work is titled, POWER.
ADF’s Together We Dance outdoor festival is made possible with support from SHS Foundation, Doris Duke Charitable Foundation, North Carolina Arts Council, City of Durham, North Carolina Museum of Art, Robert and Mercedes Eichholz Foundation, The Shubert Foundation, Durham Arts Council, Fox Family Foundation, The Mary Duke Biddle Foundation, Duke Health, Jewelsmith, American Tobacco Campus, WUNC, Acme Plumbing Company, and Blackman & Sloop Certified Public Accountants.
ADF’s Kids’ Night Out ticket program is made possible with support from Jody and John Arnhold/Arnhold Foundation.