North Carolina Museum of Art
Thursday, September 9, 7:30pm
General Admission Subscription to all 8 performances: $175
Kids’ Night Out Tickets: With the purchase of an adult ticket you can get a free ticket for a kid ages 6 to 17
IMPORTANT: When purchasing tickets, you will be asked to create an account to purchase online tickets.
(This does not mean you have to become a MEMBER of the museum)
important information to know before you go to this performance. read here!
Following local ordinances, visitors to the North Carolina Museum of Art are required to wear a mask inside all buildings, including restrooms and concession buildings. For the safety of everyone, we ask that all outdoor event attendees wear masks both outdoors and indoors. Learn more about these updates at ncartmuseum.org/covid19.
A.I.M by Kyle Abraham is a Black-led contemporary dance company whose work is informed by and made in conjunction with artists across a range of disciplines and entwines a sensual and provocative vocabulary with a strong emphasis on music, text, video, and visual art. The company will present Big Rings, an A.I.M commissioned dynamic, team-based group work choreographed by company member Keerati Jinakunwiphat. The premiere of As Yet Untitled is a new ADF-commissioned ensemble work composed of a series of solos and duets set to some of Nina Simone’s most intimate songs. Drive is a high energy, propulsive work created in 2017 for eight dancers, set to thumping club beats.
ABOUT THE COMPANY
Founded in 2006 by choreographer Kyle Abraham, A.I.M by Kyle Abraham is a Black-led contemporary dance company that provides multifaceted performances, educational programming, and community-based workshops. The mission of A.I.M by Kyle Abraham is to create a body of dance-based work that is galvanized by Black culture and history.The work,informed by and made in conjunction with artists across a range of disciplines, entwines a sensual and provocative vocabulary with a strong emphasis on music, text, video, and visual art. While grounded in choreographer Kyle Abraham’s artistic vision, A.I.M draws inspiration from a multitude of sources and movement styles.
Since A.I.M’s founding, Artistic Director Kyle Abraham has made more than 15 original works for and with the company. In 2018, A.I.M began commissioning new works and performing existing works by outside choreographers to expand its repertoire and offer a breadth of dance work to both the dancers and audiences. The repertory now includes works by Trisha Brown, Andrea Miller, Bebe Miller, Doug Varone, and A.I.M dancer and early-career choreographer Keerati Jinakunwiphat.
A.I.M’s audience base is as diverse as A.I.M’s movement vocabulary, which ranges from hip-hop to formal ballet technique. As Abraham says, “I’m interested in a really wide range of folks from the brother who owns the corner store to the woman who has never even heard of a corner store. I want those people to interact, and I want them to be sitting next to each other sensing the other person’s experience. And then, I want them to stick around for the post-performance discussion and hear the other person’s perspective and learn more about each other. That’s what is most exciting for me.”
For more information, to get involved, or purchase your A.I.M merchandise, please visit http://aimbykyleabraham.org. Follow A.I.M on Instagram @aimbykyleabraham.
KYLE ABRAHAM BIOGRAPHY
2018 Princess Grace Statue Award Recipient, 2017-18 Joyce Creative Residency Artist, 2016 Doris Duke Award Recipient and 2015 City Center Choreographer in Residence, KYLE ABRAHAM is a 2013 MacArthur Fellow who began his dance training at the Civic Light Opera Academy and the Creative and Performing Arts High School in Pittsburgh, Pennsylvania. He continued his dance studies in New York, receiving a BFA from SUNY Purchase, an MFA from NYU Tisch School of the Arts, and an honorary Doctorate in Fine Arts from Washington Jefferson College. He has served as a visiting professor in residence at UCLA’s World Arts Cultures in Dance program from 2016 to 2021. And in 2021, he was named the Claude and Alfred Mann Endowed Professorship in Dance at The University of Southern California Glorya Kaufman School of Dance. Abraham currently sits on the advisory board for Dance Magazine and the artist advisory board for Hubbard Street Dance Chicago. In 2020, he was selected to be Dance Magazine’s first-ever Guest Editor.
Rebecca Bengal of Vogue wrote, “What Abraham brings … is an avant-garde aesthetic, an original and politically minded downtown sensibility that doesn’t distinguish between genres but freely draws on a vocabulary that is as much Merce and Martha as it is Eadweard Muybridge and Michael Jackson.”
In addition to performing and developing new works for his company A.I.M by Kyle Abraham, Abraham has been commissioned by a variety of dance companies. Most recently, he premiered When We Fell, his third creation for New York City Ballet, which The New York Times reviewed as “among the most beautiful dance films of the pandemic.” Previously, Abraham collaborated with NYCB Principal Dancer Taylor Stanley on Ces noms que nous portons, a Lincoln Center and NYCB commissioned solo; choreographed Unto The End, We Meet, commissioned by the National Ballet of Cuba, and choreographed the music video for Sufjan Stevens’ Sugar. He premiered to be seen, a new solo for American Ballet Theatre Principal Dancer Calvin Royal III, for the 2020 virtual Fall For Dance Festival. The New York Times raved on “how skilled he has become at mingling the ballet vernacular with other forms, from hip-hop to West African movement” and his unique talent for “finding the person within the dancer and the bodies within a body.”
In Fall 2019, he choreographed Ash, a solo work for ABT Principal Dancer Misty Copeland; Only The Lonely, a newly commissioned work for Paul Taylor American Modern Dance; and The Bystander, a new commission for Hubbard Street Dance Chicago to rave reviews. Abraham premiered the Bessie-nominated The Runaway for NYCB’s 2018 Fall Fashion Gala, which was recognized as one of the “Best Dance of 2018” by The New York Times. In 2016, Abraham premiered Untitled America, a 3-part commissioned work for the Alvin Ailey American Dance Theater; toured The Serpent and The Smoke, a pas de deux for himself and acclaimed Bessie Award-winning and former New York City Ballet Principal Dancer Wendy Whelan as part of Restless Creature; and choreographed for the feature-length film, The Book of Henry, for acclaimed director Colin Trevorrow.
In 2012, Abraham served as a choreographic contributor for Beyonce’s 2013 British Vogue cover shoot, named the 2012 Jacob’s Pillow Dance Award recipient, 2012 USA Ford Fellow, and the New York Live Arts Resident Commissioned Artist for 2012–2014. Later that year, Alvin Ailey American Dance Theater premiered Abraham’s Another Night at New York City Center. Abraham has also received a prestigious Bessie Award for Outstanding Performance in Dance for his work in The Radio Show, and a Princess Grace Award for Choreography in 2010. The previous year, he was selected as one of Dance Magazine’s “25 To Watch” for 2009, and received a Jerome Travel and Study Grant in 2008.
His choreography has been presented throughout the United States and abroad; at Fall for Dance Festival at New York City Center, Lincoln Center, Brooklyn Academy of Music, The Joyce Theater, The Los Angeles Music Center, Jacob’s Pillow Dance Festival, Théâtre de la Ville, Sadler’s Wells, Maison de la Danse, Tanz Im August, On The Boards, Danspace Project, Dance Theater Workshop, Bates Dance Festival, Harlem Stage, Montreal, Ottawa, Italy, Germany, Sweden, France, Jordan, Ecuador, Dublin’s Project Arts Center, The Okinawa Prefectural Museum & Art Museum located in Okinawa Japan, The Andy Warhol Museum, The Byham and The Kelly-Strayhorn Theater in his hometown of Pittsburgh, PA.
In 2011, OUT Magazine labeled Abraham as the “best and brightest creative talent to emerge in New York City in the age of Obama”.
As Yet Untitled by Kyle Abraham is commissioned by ADF with support from the Doris Duke/SHS Foundations Award for New Works.
ADF’s Together We Dance outdoor festival is made possible with support from SHS Foundation, Doris Duke Charitable Foundation, North Carolina Arts Council, City of Durham, North Carolina Museum of Art, Robert and Mercedes Eichholz Foundation, The Shubert Foundation, Durham Arts Council, Fox Family Foundation, The Mary Duke Biddle Foundation, Duke Health, Jewelsmith, American Tobacco Campus, WUNC, Acme Plumbing Company, and Blackman & Sloop Certified Public Accountants.
ADF’s Kids’ Night Out ticket program is made possible with support from Jody and John Arnhold/Arnhold Foundation.