Faculty

“The best part of the summer was the teachers. They demonstrated such a mastery of the material, demanded all of our presence and awareness, and pushed us (lovingly) to demand the very best from ourselves. This kind of teaching is uncommon, it’s the kind of teaching that the American Dance Festival is famous for, and it’s the kind that I crave all school year.” – ADF Student

2020 Faculty – Check back regularly for updates!

Charles Anderson

Charles O. Anderson, a native of Richmond, VA, is artistic director of Charles O. Anderson Dance Projects (formerly known as dance theatre X). He is a choreographer, performer, and head of the dance program at the University of Texas at Austin. He received his MFA in Dance from Temple University in 2002. Prior to moving to Austin in 2011, Anderson was based in Philadelphia, PA, where he gained national recognition for his choreographic work and funding support from such foundations and organizations as The National Performance Network, The Pew Foundation for Arts and Heritage, The Independence Foundation, The Puffin Foundation, and The Philadelphia Cultural Fund. As a specialist in contemporary African Diasporic dance, Anderson’s choreography has been presented throughout the US as well as internationally. Among his achievements in Afro-contemporary choreography and dance theater, Anderson was selected as one of “The 25 Artists to Watch” by Dance Magazine and is a Pew Fellowship in the Arts recipient. His latest work as an Austin-based choreographer was presented at the Austin Fusebox Festival and at New York Live Arts as part of the Live Ideas, James Baldwin, This Time! Festival. Anderson is deeply committed to arts and education as means for enacting social justice. His choreographic work with undergraduate students has twice been nationally showcased at the Kennedy Center through the American College Dance Festival Association, and he has also been twice recognized for outstanding achievement in experimental dance theater by the Kennedy Center American College Theatre Festival. Being an artist-educator and an advocate for diversity in the field of dance has made Anderson a highly sought-after speaker and adjudicator for the American College Dance Association. His project-based company, dance theatre X, is comprised entirely of former students from the last five years with whom he has taught intensively both in the studio and the lecture hall. He approaches choreography as metaphor for kinetic storytelling. The goal of kinetic storytelling is testimony, the declaration of truth integral to the African-American oral and literary tradition, going back to the slave narrative and folk practices. Anderson also serves on the faculty of American Dance Festival’s summer dance intensive program and serves as president of the Council of Dance Administrators (CODA). www.charlesoanderson.me

Modern Technique and Footprints

Photo credit: Lawrence Peart

quilan “cue” arnold

Quilan “Cue” Arnold (MFA) is a dance professional (dancer, choreographer, podcaster, producer, teacher) based out of Brooklyn, New York. He has been a member of companies such as Camille A. Brown and Dancers (NY), Rennie Harris Puremovement (PA), Abby Z and the New Utility (NY), and Enzo Celli Vivo Ballet (NY). Quilan’s work has been presented in a domestic and international milieu. His most recent choreographic work, “The Third Rail,” was premiered at the 2018 INSITU Site-Specific Festival in New York, and has been presented in 2019 at Hunter College and the American Dance Festival. Other recent credits include the International Human Rights Festival (NY), Steps on Broadway’s Performance Lab (NY), and the Emerging Choreographer Series (NY). Quilan is also the co-founder of the street dance podcast, “The Good Foot” and the executive director of the street dance documentary, “Build’N Shop,” which is partially funded by the 2018 Ohio State Dance Preservation Grant. As an educator Quilan currently serves as a faculty member at Hunter College, Peridance Capezio Center, Gibney Dance Center in New York City. Quilan also hosts an online hip-hop class, “Get Groovy.” Visiting artist credits include: Brigham-Young University (UT); Bard College (NY); Towson University (MD); Ohio State University (OH); Rutgers University (NJ); University of Memphis (TN); and New York University (NY). Additionally, Quilan has served as faculty at Steps on Broadway and Mark Morris Dance Center.

Hip-hop Groove Foundations and African-American Social Dance Technique

Photo credit: Jessica Cavendar

axis dance company

Founded in 1987, AXIS is the nation’s most acclaimed ensembles of disabled and non-disabled performers. In 1998, Judith Smith took over Artistic Direction, and visioning a repertory company quickly trajected AXIS into the dance world with a commission by Bill T. Jones.  Under her Artistic Direction until 2016, AXIS’ collaborators included Stephen Petronio, Yvonne Rainer, Ann Carlson, Joe Goode, Marc Brew, Meredith Monk and Joan Jeanrenaud to name a few. AXIS has toured to over 100 cities in the USA, Europe and Russia. Upon celebrating its 30th anniversary in 2017, AXIS appointed internationally renowned choreographer Marc Brew Artistic Director. The Company has received eight Isadora Duncan Dance Awards and has appeared twice on So You Think You Can Dance. AXIS hosted the first ever National and Regional Convenings on the Future of Physically Integrated Dance in 2016. AXIS provides unparalleled integrated dance education and outreach programs that engage people with and without disabilities to access dance opportunities.

Mixed Makers

Photo credit: David DeSilva & Misako Akimoto

Robbie CooK

Robbie Cook is a Brooklyn-based dance artist working as an Assistant Professor of Dance at Hofstra University in Hempstead, NY. During the summer, he teaches at both the American Dance Festival and Bates Dance Festival. Robbie has taught internationally through Japan Contemporary Dance Network as a member of the Liz Lerman Dance Exchange in Sapporo, Japan, The i-Dance Festival in Hong Kong, and Chadwick International School in Incheon, South Korea and has been invited two times to Universidad de Las Américas in Puebla, México to teach and set choreography on the students. While living in Los Angeles, he played percussion with String Theory Productions at the 2014 Emmy’s Governor’s Ball, led a contact improvisation workshop for the BODYTRAFFIC Company, and was on the dance faculty at Loyola Marymount University from 2011 to 2015. Robbie has also been on the dance faculty of Shenandoah Conservatory, Idyllwild Arts Academy, CSSSA @ Cal Arts, and TCU. As a dancer he has performed for Michel Kouakou, Rosie Herrera, Ishmael Houston-Jones, Douglas Dunn, Liz Lerman, Edwaard Liang, Margaret Jenkins, Liz Gerring, Keith Thompson, Stacy Spence, Laurel Jenkins, Jan Erkert, Third Rail Projects, Lucky Plush Productions, Dallas Opera’s Production of Boris Godunov, and Deborah Hay (SPCP ’01 and ’07) and performed Yvonne Rainer’s Trio A as a duet with Hope Mohr. Robbie’s choreography has been performed nationally and internationally in Chicago, New York City, San Francisco, Los Angeles, Alaska, and Tokyo, Japan, and on students at Pepperdine, UDLAP, Idyllwild, ADF, and Shenandoah Conservatory. He earned an MFA in Dance from Bennington College and a BFA from School of the Art Institute of Chicago. Robbie’s classes draw from his study of Functional Anatomy with Irene Dowd and his continual investigation of the eight limbs of Yoga. Robbie Cook Dance.

WFSS Yoga and WFSS Floorwork

Photo credit: Ben Viatori

LEAH COX (Dean)

LeahCox.Grant Halverson

Leah Cox is an educator, performer, choreographer, and administrator. Cox is Dean of the American Dance Festival and a Term Associate Professor at Bard College. She is currently working with Liz Lerman on her upcoming choreographic project and is a frequent adjudicator for the American College Dance Association. Leah was a member of the New York Dance and Performance Award (the “Bessies”) Committee from 2015 to 2018 and has also been a master teacher and adjudicator for YoungArts. Leah worked with the Bill T. Jones/Arnie Zane Company in various capacities from 2001 to 2014: she began as a company dancer, was the company’s rehearsal assistant, held the position of dancer representative, advocating for dancer’s rights, and became the company’s first education director, launching its education programs. Cox regularly reconstructed the company’s works on student dance programs and professional companies nationwide. When the company merged with Dance Theater Workshop to form New York Live Arts, Cox continued in her education capacity, developing Live Arts’ education programs. She oversaw the six-year partnership between Live Arts and Bard College and, in 2018, launched a new partnership between the American Dance Festival and the college. Her choreography has been presented in New York City at the 92nd Street Y, Dixon Place, the DUMBO Dance Festival, and the CoolNY Festival.

Photo credit: Grant Halverson

joy davis

Joy Davis is a dance artist, educator, and scholar. Her initiative joyproject produces collaborative and location-based dance performance since beginning in 2006. She was a Chicago Dancemakers Forum(CDF) Greenhouse Artist, a Choreographic Resident at the Workspace for Choreographers in Virginia, and has premiered work through various presenters in Boston, Chicago, Nashville, Seattle, Philadelphia, and San Diego. Joy has the honor of dancing in works by Erica Mott, Chris Aiken, Kathleen Hermesdorf, Jen Polins, Barbie Diewald, and Shaina Cantino and collaborates with Mountain Empire Dance Collective, School for Contemporary Dance and Thought, and Alexander Davis. Joy began studying Countertechnique with founder Anouk van Dijk in 2005 and completed CTTT teacher’s certifications in 2012 and 2016. She teaches Countertechnique workshops at Gibney Dance (NYC), Moving Target (Boston), BodyVox (Portland), Fact/SF (CA), New Dialect (TN), Mocean Dance (Halifax), and the Seattle Festival of Dance Improvisation, among others. She was honored to join the faculty at the American Dance Festival and the second annual Lion’s Jaw Festival in Boston in 2017. Joy received an MFA in Choreography and Performance from Smith College under the mentorship of Angie Hauser and has since taught on faculty at Smith College, Wesleyan University, and Harvard University. Joy is an Associate Professor at the Boston Conservatory at Berklee.

Countertechnique  and Improv for Group Performance

Nia Love

nialove-granthalverson

Nia Love’s career spans forty years, beginning in 1978 when she became one of the youngest international apprentices with Havana’s world-renowned Ballet Nacional de Cuba. In 1986, Love studied Butoh and toured with celebrated Japanese Butoh master Min Tanaka. She received her BFA in Theater from Howard University (1987) and her MFA in Choreography from Florida State University (1992). She has been a Fulbright Fellow (2002-03), a Brooklyn Arts Exchange/BAX Artist-In-Residence (2011-12, 2013-14), and a Movement Research Artist-in-Residence (2016-17). Love received the New York Live Arts Suitcase Fund (2013-14), the Alvin Ailey New Directions Lab Choreographer Award (2013-14), the CUNY Dance Initiative (2014-15), a “Bessie” award for the Most Outstanding Performer (2017) as part of the ensemble of Skeleton Architecture, and the CUNY Incubator Grant (2018-19). She is currently BAX Racial Equity Advisor and Adjunct Professor at Queens College and The New School. This past spring semester, she was Movement Research Exchange Guest Artist/Lecturer at UCLA’s Department of World Arts and Culture/Dance and in the fall she will be an American Dance Festival chosen visiting artist at BARD College. She is excited to be among some of the most prolific artist/educators of our time as a visiting artist at University of Illinois Urbana-Champaign in spring 2019. Most recently, Nia is the proud recipient of a 2019 Dance in Process Gibney Dance Residency and is the grandmother of her third grandchild. In addition to her own work, she is the co-founder of LOVE|FORTÉ the collective.

Modern Roots Technique and Site Specific Composition

Photo credit: Grant Halverson

Ramón Flowers

Ramón is currently an Assistant Professor in the Department of Dance at Butler University’s Jordan College of the Arts. He began his formal dance training on scholarship at the School for the Pennsylvania Ballet and later attended the School of American Ballet. Four years after joining the Pennsylvania Ballet Company, as its first African-American male dancer, he moved to Europe for 12 years as a principal ballet dancer. He spent seven years with the legendary, internationally renowned Maurice Béjart, performing in major cities in over 60 countries on every continent. He later moved to Germany to dance with William Forsythe, director of the Frankfurt Ballet, and then to Madrid to work with choreographer Nacho Duato and the Compañía Nacional de Danza de España. He returned to North America to dance with Montreal’s Les Grands Ballets Canadiens, where the repertoire encompassed pieces by all the choreographers for whom he’d danced in Europe, as well as the works of George Balanchine. He left Canada to return to his first love for dance, musical theater, and was featured in several Broadway shows, including Matthew Bourne’s Swan LakeCatsThe Lion KingThe Green Bird, The Boy from Oz, and Hot Feet. He also appeared in Broadway national tours with Chita Rivera in The Dancer’s Life and in the original production of A Chorus Line in the role of Richie, as well as in commercials, film, and television. Ramon received his BA in French from the City College of New York, CUNY, and his MFA in Dance from the University of Iowa.

Ballet Technique and Musical Theater Jazz

Photo Credit: Robert Kim

Eric Geiger

Eric Geiger: I dance and make dances in an attempt to make sense of the world around me. I am a full-time faculty member at UCSD in the Department of Theatre and Dance where the courses I guide question what dance is and can be. Early on, I received a full merit scholarship to the Alvin Ailey American Dance Center where I studied the techniques of Lester Horton and Martha Graham and ballet. I was a member of the Bill T. Jones/Arnie Zane Dance Company where I also taught and served as choreographic assistant to Bill. As a member of The Lyon Opera Ballet, I performed in works by William Forsythe, Stephen Petronio, Susan Marshall, Maguy Marin, Angelin Preljocaj, among others. In San Diego, I performed with McCaleb Dance, (directed by Nancy McCaleb) and eventually became Associate Artistic Director and began directing dances. Every Thursday morning since 2008 I have been practicing and performing spontaneous dancemaking with a group called LIVE. As a dancemaker, I am a collaborator. I’ve made dances with Anya Cloud, Karen Schaffman, Liam Clancy, Leslie Seiters, and my most frequent collaborator and partner Jess Humphrey. 

My desire to dance forever led me to seek ways of moving with greater efficiency and sustainability. Contact Improvisation, Trisha Brown-like qualities, Deborah Hay’s questions and choreography, and somatic approaches to dancing have transformed and expanded my movement capacities. As a Feldenkrais Method practitioner, I have come to understand how to move using only as much effort as needed, moment to moment. 

Currently, I’m questioning the politics that are emerging from my practices and creative research. Not by the way in which the work itself represents, acts, or dances out some political situation, social injustice or inequity, but by attempting to create a context in which the value system of the process, as well as the systemic structure of the work itself, is the actual, desired change. The work is radically alive and in and of the moment. Curiosity drives the process and it is tangential. It celebrates the multiplicity of the group and is not a creation of one author. It demands responsible citizenship by making a space for Otherness (that which is alien or divergent from a certain kind of normativity). The process is queer and so am I. 

Mixed Makers

monique haley

Monique Haley (Springfield, VA) is a graduate of The University of the Arts in Philadelphia, PA, with a Bachelor of Fine Arts degree in performing arts, specializing in jazz dance. Monique completed nine memorable years with the prestigious River North Chicago Dance Company in 2010. She has also been a member of the Bermuda Dance Company and the Eleone Dance Theater of Philadelphia. 

In Chicago, Monique was a frequent teacher for the Lou Conte Dance Studio, the Visceral Dance Center, and the Joffrey Academy of Dance Trainee Program. Monique participates yearly as part of the Chicago Dance Connection Jazz Camp Faculty and has taught for the former River North Chicago and Inaside Dance Company Summer Intensives. She has set choreography for high school groups, college dancers, and professional companies on a national scale. As a dance educator, Monique has been a guest teacher in 2016, 2017, and 2019 ACDA East Central Conferences.

In musical theater, Ms. Haley was featured as a dancer and ensemble member in the Disney musical The Jungle Book, directed by Mary Zimmerman and choreographed by the Tony Award-winning Christopher Gattelli. In Chicago’s regional theater seen, she was dance captain/ensemble member, and associate choreographer, for the Drury Lane Oakbrook Theater’s production of Aida, and the associate choreographer of Paramount Theater Aurora’s inaugural production of My Fair Lady. Additional theater credits include HAIRJoseph and the Amazing Technicolor Dreamcoat (Mrs. Potiphar). Chicago (June), On the Town, amongst others.

Monique has choreographed for American Midwest Ballet, Cerqua Rivera Dance Theatre, Nomi Dance Company, Visceral Dance Company, the Chicago Repertory Ballet Company, as well as collaborative works with the Chicago – based companies Muntu African Dance Company, and DanceWorks Chicago. Monique’s choreography has also been featured in Dance for Life Chicago, an annual aids benefit concert. Collegiate commissions include work for the former Marygrove College, Western Michigan University, and the University of the Arts, to name a few. 

Monique’s career and creative works have been recognized in Dance Spirit and Dance Magazine’s. She is one of the first artists to receive a $15,000 3Arts Award (2012) for contributions to the arts community of the city of Chicago in dance and choreography. Ms. Haley holds a Master of Fine Arts degree in Dance from The University of Wisconsin-Milwaukee. She continues to inspire and passionately educate her students at the Western Michigan University Department of Dance, teaching jazz dance curriculum and working with the musical theater performance students as an Assistant Professor in the field.

Contemporary Jazz and Repertory

Photo credit: Erika Dufour

gerri houlihan

Gerri Houlihan studied at the Juilliard School with Antony Tudor and members of the Martha Graham and Jose Limon dance companies. She performed with the Metropolitan Opera Ballet Company, the Paul Sanasardo Dance Company and the Lar Lubovitch Dance Company. From 1991-1999 she directed her own company, Houlihan and Dancers, based in Miami, Florida. During that time, she was on the faculty of the New World School of the Arts. Ms. Houlihan serves on the Advisory Board for the American Dance Festival. She has been on the faculty of the ADF from 1981-1983 and from 1987 to the present. As an international representative for ADF, she has participated in 17 international linkage programs in such countries as Korea, China, Mongolia, Brazil, Chile, Paraguay, Estonia, Poland and Russia. She is the recipient of the ADF’s Balasaraswati, Joy Ann Dewey Beinecke Endowed Chair for Distinguished Teaching. She was Co-Dean and then Dean of the ADF School from 2010-2015 and received her MFA from the Hollins/ADF MFA program. She recently retired from Florida State University, where she was the Pearl S. Tyner Distinguished Professor in Teaching and is now Professor Emerita. Currently, she teaches at the ADF studios in Durham and is the Artistic Director of the Big Red Dance Project.

WFSS/Drop-in Schedule

Photo credit: Sara D. Davis/ADF

YANGKEUN KIM

YANGKEUN KIM, choreographer/teacher/dancer/writer, is a professor of Soongeui Women’s College, Artistic Director of Garion Dance Company, and vice president of The Modern Dance Promotion of Korea. She has performed her work with Garion Dance Company, Korea Contemporary Dance Company and Wansoon Yook`s Dance Company, toured Europe, US, and Asia. She is also the Director of JD-KSDF (JD-Korea Summer Dance Festival). Ms. Kim has organized KDF (KADF) since 1990, Seoul International Choreographer’s Festival since 1995 and workshops and JD-KSDF from 2016. She founded Y-Conditioning Association and somatic research along with other choreographers and dance teachers. She teach Healing Technique at ADF since 2004.

Healing Techniques

 

MOMAR NDIAYE

Momar Ndiaye is an internationally recognized dance artist from Senegal who has taught and toured his work both in the States and abroad. He received his MFA in Dance from the University of Illinois Urbana-Champaign, where he taught contemporary and traditional African dance forms from Senegal, Guinea, Mali, Congo, etc., as well as video dance documentation. Ndiaye has worked with many well-known choreographers from Africa, Europe, Asia, and America through the program AEx-Corps initiated by the Association Premier Temp in Senegal. Since 2010, Momar has danced for internationally acclaimed choreographer Andreya Ouamba in the Dakar-based company Premier Temps and was selected as a Dance Web participant at Impuls Tanz Festival in Vienna, Austria, in 2012. He has been developing work with his own company, Cadanses, since 2004 and has created and toured several staged contemporary dance works. In 2015, Ndiaye’s evening length piece Toxu was a finalist laureate in the Danse L’Afrique Danse (Africa and Caribbean in Creation) Festival in St. Louis and Senegal and was toured to Europe as part of the Belluard Festival in Switzerland. In 2016, Momar was selected to participate in two intercultural projects, Shifting Realities, supported by Tanz Haus and Hellerau in Germany, and 1space, a collaboration between KVS Brussel, Exodus in Ljubljana, Slovenia, and Alkantara Lisbon, Portugal. www.lacadanses.com

Afro-fusion: From bare-feet to sneaker 

Photo credit: Ben McKeown

michelle pearson

Michelle Pearson is the Artistic Director of Black Box Dance Theatre, a NC based company known for their ground breaking collaborations in the making of deeply human and physically compelling dance. Michelle is a master facilitator, teacher, dancer and choreographer and most recently was the inaugural recipient of the Jan Van Dyke Legacy Award. She holds a BFA in Dance from ECU and danced with the Doris Humphrey Rep Company as well as the American Dance Ensemble in NYC. She was a core member of Liz Lerman Dance Exchange from 93-98 before moving into the position of Associate Artist with the troupe for another 15 years.  She has been a guest artist and adjunct faculty at numerous schools including Meredith College, Catholic University, St. Mary’s School, The American Dance Festival, Harvard Medical School, NCSU, and Arts Together. As an A+ Fellow, Michelle leads professional development workshops for educators throughout NC and the US. She was recognized by the NC Arts Council with a Choreographic Fellowship and was selected by the US Department of State to lead a Cultural Envoy to Sierra Leone in 2011 as well as Cultural Democracy missions to China in 2014 and 2016 and Kazakhstan in 2019. Recently, the USO of NC has deemed Michelle and her cohort of dancers as SMEs (Subject Matter Experts) and engaged them to lead Warrior Reset Programs for active duty service members. Michelle is a William C. Friday Fellow committed to improving human relations in the state of North Carolina.  Call it choreography, performance, cultural democracy, healing art, leadership training, professional development, or arts integration; it’s all miraculous modern dance to Michelle. 

Mixed Makers

Photo credit: Matt Kesterson

SHerone PRICE

SheronePrice1.GrantHalversonInstructor, choreographer, and dancer Sherone Price is currently Associate Professor of Dance at Appalachian State University. He has been a lecturer at UNC-Greensboro, a visiting instructor of Dance at Florida International University in Miami, and Artist in Residence/Henry Bascom Professor of Dance at University of Wisconsin-Madison. He has had selected choreography performed by Moving in the Spirit Touring Company, Atlanta, GA, and at the White House, hosted by President George Bush for a reception for the President of Liberia, Ellen Johnson Sirleaf. He has a BFA from the University of North Carolina-Greensboro and an MFA from Hollins University in Roanoke, VA. He has been a Principal Dancer with Chuck Davis’ African American Dance Ensemble and a guest performer with Gamble Dance Theater and Jan Van Dyke Dance Group. He performed Talley Beatty’s Mourner’s Bench at the 1995 Scripps/ADF Award ceremony.

West African Repertory

Photo credit: Grant Halverson/ADF

jenna RIEgel

Jenna Riegel, originally from Fairfield, Iowa, is a dance artist, maker and educator. Jenna holds an M.F.A. in Dance Performance from the University of Iowa and a B.A. in Theatre Arts from Maharishi University of Management. During her eleven year performing career in NYC, Jenna danced with Daara Dance (choreographer Michel Kouakou), Carolyn Dorfman Dance Company, Shaneeka Harrell, Tania Isaac Dance and johannes weiland. She toured and performed nationally and internationally as a company member of David Dorfman Dance, Alexandra Beller/ Dances, Bill Young/ Colleen Thomas & Company and the Bill T. Jones/Arnie Zane Company. Jenna taught open classes in Contemporary Technique in New York City at Gina Gibney Dance Center, New York Live Arts, Mark Morris Dance Center and 100 Grand Dance. She has been on faculty in the Dance Departments of Barnard College, The Juilliard School and Virginia Commonwealth University. In addition, she has taught master classes at The Joffrey Ballet School, Columbia College, NYU, The New School, Ohio State University, SUNY Purchase, Bard College, Connecticut College, Hollins University, Emory College, Arizona State University, Brigham-Young University, Dartmouth College, Williams College, Skidmore College, LIU, University of Maryland, University of Nebraska-Lincoln, University of Wisconsin-Madison, University of California-Berkeley, University of Iowa, the American Dance Festival and the Bates Dance Festival. Jenna’s choreographic work has been commissioned by the University of Nebraska-Lincoln, the University of Iowa, Barnard College and Colby College. She has also acted as repetiteur for the Bill T. Jones/Arnie Zane Company and has re-staged Continuous Replay and D-Man in the Waters (Movement One). Most recently, Jenna served as Assistant Choreographer to Bill T. Jones on a new musical, Paradise Square: An American Musical. Jenna is currently an Assistant Professor of Theater and Dance at Amherst College.

RAY ELIOT SCHWARTZ

Concluyó el “Laboratorio somático: la imagen corporal” impartido por Ximena Monroy y Ray Schwartz / Encuentro Nacional de Danza 2016

Ray Eliot Schwartz graduated high school from the North Carolina School of the Arts, received his BFA from Virginia Commonwealth University, and received his MFA from University of Texas-Austin. He was the head of the dance program of the University of the Americas-Puebla in México from 2008 to 2018. He is a founder of Performática: Foro Internacional de Danza Contemporánea y Artes del Movimiento, a research associate at the Center for Mind Body Movement, and a consultant and teaching artist for ArcDanz International Dance Workshop. Ray co-founded four contemporary dance projects in the southern US: Sheep Army, The Zen Monkey Project, Steve’s House Dance Collective, and THEM. He has been a guest artist for diverse populations in the US, South East Asia, South America, and Mexico and has served on the faculty of the American Dance Festival, Bates Dance Festival, MELT, the ZMP Summer Dance Intensive, Verano Chilango, Camp_iN, the Colorado College Summer Dance Festival, SFADI, and Opera Prima@elcolectivo, the Mexican television series showcasing national and international talent in the Mexican contemporary dance scene, among others. He is a published scholar who writes in Spanish and English about the interface of somatic movement education and contemporary dance practice. His somatic studies include certifications in Body-Mind Centering® and the Feldenkrais Method®. Additional studies include Zero-Balancing®, Gross Anatomy (Dissection), Bio Mechanics of Sport, Molecular Cell Biology, Cranio-Sacral Therapy, and Traditional Thai Massage. He is delighted to return to ADF this summer to share his love of movement and looks forward to the collective learning that arises from its venerable and vibrant gathering of dance artists.

Somatics and Dancing  and Contact Improvisation

Photo Credit: Gabriel Morales

rosanna tavarez

Rosanna Tavarez has a diverse background as a performer/entertainer and has had the honor of working with Marina Ambramovic, Ryan Heffington, Travis Payne, Tony Michaels, Rosanna Gamson/Worldwide, and Heidi Duckler Dance Theatre. She also toured with N’SYNC and Jessica Simpson as one-fifth of the girl group Eden’s Crush and covered the Emmys, Grammys and Oscars in addition to hosting her own shows as a television personality for FOX, E!, TVGuide Network, and Telemundo/NBC. She was selected to attend the Countertechnique Teacher Training program in 2016 and is now one of seven certified American Countertechnique Teachers. For the past two years, she’s had the pleasure of sharing the practice of Countertechnique throughout the US. She is on faculty at Studio School and CalState LA and has taught as guest faculty at CalState Long Beach, Scripps College and Loyola Marymount University.  Rosanna also creates her own work under the moniker LA DANSA DANSA. Her works have been supported by an ARC grant from the Center for Cultural Innovation, a UCLA Hothouse residency, and Show Box LA and have been presented by REDCAT, Highways Performance Space, Breaking Ground Dance Festival, Blaktinx Dance Festival, Sarasota Contemporary Dance, and the LA Department of Cultural Affair’s LA Dance Platform.

Countertechnique and Improvisation for Performance

Photo credit: David Gordon

Justin tornow

Bio coming soon!

Christian Von Howard

Christian von Howard is the Artistic Director of the VON HOWARD PROJECT, a contemporary dance company based out of New York City. As an international artist, he has worked with many dance artists such as Doug Varone, Fernando Bujones, Douglas Becker, Germaul Barnes, Daniel Gwirtzman and various others. Christian is a Fulbright Specialist (2019-2021),  a NJ State Council of the Arts Choreographic Fellow (2006) and his choreographic work has been produced in various venues across the globe including Germany, Japan, Bulgaria, Colombia, Chile, South Korea and in the states at Dance Theater Workshop (now New York Live Arts), Joyce SoHo, Dixon Place, the Ailey Citigroup Theater amongst others. His guest artist teaching/residency highlights include the American Dance Festival, Dance It! Festival(Bulgaria), Peridance Dance Center, Dance Masters of America, and the Korean Dance Festival. Christian is a 2013/2014 recipient of the Distinguished Achievement in Teaching Award from Virginia Commonwealth University’s School of the Arts where he was part of the teaching faculty in the Department of Dance & Choreography from 2008 to 2014. He is an Associate Professor in the Department of Theatre & Dance at Montclair State University and concurrently teaches at the Alvin Ailey School in NYC where he has been on faculty since 1998. Christian serves as the Northeast Regional Director of the American College Dance Association. He holds advanced degrees in Performance and Choreography from the School of Classical and Contemporary Dance at Texas Christian University and from Tisch School of the Arts, New York University.

Photo Credit: eyewanderphoto

André  Zachery

André M. Zachery (b.1981, United States) is a Chicago bred and now Brooklyn-based interdisciplinary artist, scholar and technologist with a BFA from Ailey/Fordham University and MFA in Performance & Interactive Media Arts from CUNY/Brooklyn College. As the artistic director of Renegade Performance Group his practice, research and community engagement artistically focuses on merging of choreography, technology and Black cultural practices through multimedia work. André is a 2016 New York Foundation for the Arts Gregory Millard Fellow in Choreography and 2019 Jerome Hill Foundation Fellow in Choreography. His works through RPG have been presented domestically and internationally, receiving support through several residencies, awards, commissions such as the CUNY Dance Initiative, Performance Project Residency at University Settlement, ChoreoQuest Residency at Restoration Arts Brooklyn, 3LD Art & Technology Center, HarvestWorks and a Jerome supported Movement Research AIR.Venues have included Danspace Project, Harlem Stage, the Brooklyn Museum, Harlem Stage, the August Wilson Center in Pittsburg, Wexner Center for the Arts in Columbus, OH, Cistermusica Festival in Alcobaça, Portugal and The Kennedy Center. Awarded grants have been from the Brooklyn Arts Council, Harlem Stage Fund for New Work and a Slate Property SPACE Award. Commissions have come from the Brooklyn Museum, Five Myles/BRIC Biennial and Danspace Project.
 
Mixed Makers
 
Photo Credit: Travis Becker

2019 faculty

Charles Anderson

Charles O. Anderson, a native of Richmond, VA, is artistic director of Charles O. Anderson Dance Projects (formerly known as dance theatre X). He is a choreographer, performer, and head of the dance program at the University of Texas at Austin. He received his MFA in Dance from Temple University in 2002. Prior to moving to Austin in 2011, Anderson was based in Philadelphia, PA, where he gained national recognition for his choreographic work and funding support from such foundations and organizations as The National Performance Network, The Pew Foundation for Arts and Heritage, The Independence Foundation, The Puffin Foundation, and The Philadelphia Cultural Fund. As a specialist in contemporary African Diasporic dance, Anderson’s choreography has been presented throughout the US as well as internationally. Among his achievements in Afro-contemporary choreography and dance theater, Anderson was selected as one of “The 25 Artists to Watch” by Dance Magazine and is a Pew Fellowship in the Arts recipient. His latest work as an Austin-based choreographer was presented at the Austin Fusebox Festival and at New York Live Arts as part of the Live Ideas, James Baldwin, This Time! Festival. Anderson is deeply committed to arts and education as means for enacting social justice. His choreographic work with undergraduate students has twice been nationally showcased at the Kennedy Center through the American College Dance Festival Association, and he has also been twice recognized for outstanding achievement in experimental dance theater by the Kennedy Center American College Theatre Festival. Being an artist-educator and an advocate for diversity in the field of dance has made Anderson a highly sought-after speaker and adjudicator for the American College Dance Association. His newly found project-based company, Charles O. Anderson Dance Projects, is comprised entirely of former students from the last five years with whom he has taught intensively both in the studio and the lecture hall. He approaches choreography as metaphor for kinetic storytelling. The goal of kinetic storytelling is testimony, the declaration of truth integral to the African-American oral and literary tradition, going back to the slave narrative and folk practices. Anderson also serves on the faculty of American Dance Festival’s summer dance intensive program and serves as president of the Council of Dance Administrators (CODA). www.charlesoanderson.me

Modern Technique and Composition (Kinetic Storytelling)

Photo credit: Lawrence Peart

quilan “cue” arnold

Quilan “Cue” Arnold (MFA) is a professional dancer, choreographer, and teacher based out of Brooklyn, NY. He has been a member of companies such as Abby Z and the New Utility (NY), Enzo Celli Vivo Ballet (NY), and Rennie Harris Puremovement (PA). Quilan’s choreographic work has been presented in a domestic and international milieu. His most recent work, The Third Rail, was presented at the 2018 INSITU Site-Specific Festival in New York and is being restaged for the 2019 Hunter College Dance Company concert. Other 2018 choreographic credits include the International Human Rights Festival (NY), Steps on Broadway’s Performance Lab (NY), and the Emerging Choreographer Series (NY). As an educator Quilan currently serves as a faculty member at Hunter College, Bard College, Steps on Broadway, Mark Morris Dance Center, and Gibney Dance Center in New York City. Quilan was a 2018 guest lecturer at The Ohio State University and Rutgers University (NJ). Additionally, he was a 2017 Artist in Residence at the University of Memphis (TN) and New York University.

Hip-hop Groove Foundations and Street Dance Repertory

Photo credit: Jessica Cavendar

axis dance company

Founded in 1987, AXIS is the nation’s most acclaimed ensembles of disabled and non-disabled performers. In 1998, Judith Smith took over Artistic Direction, and visioning a repertory company quickly trajected AXIS into the dance world with a commission by Bill T. Jones.  Under her Artistic Direction until 2016, AXIS’ collaborators included Stephen Petronio, Yvonne Rainer, Ann Carlson, Joe Goode, Marc Brew, Meredith Monk and Joan Jeanrenaud to name a few. AXIS has toured to over 100 cities in the USA, Europe and Russia. Upon celebrating its 30th anniversary in 2017, AXIS appointed internationally renowned choreographer Marc Brew Artistic Director. The Company has received eight Isadora Duncan Dance Awards and has appeared twice on So You Think You Can Dance. AXIS hosted the first ever National and Regional Convenings on the Future of Physically Integrated Dance in 2016. AXIS provides unparalleled integrated dance education and outreach programs that engage people with and without disabilities to access dance opportunities.

Marc Brew
Acclaimed International choreographer and AXIS Dance Company Artistic Director Marc Brew trained as a professional dancer at the Victorian College of the Arts Secondary School and The Australian Ballet School. He has been working in the UK and Internationally for over 20 years as a director, choreographer, dancer, teacher and speaker; with the Australian Ballet Company, State Theatre Ballet Company of South Africa, Infinity Dance Theatre, CandoCo Dance Company and AXIS Dance Company. Marc was Associate Director with Scottish Dance Theatre, Associate Artistic Director with Ballet Cymru in Wales and was Associate Artist in 2015 at Tramway Theatre in Glasgow. Since 2008 Marc has been dedicating time to his own choreography with Marc Brew Company and his recent choreographic commissions include San Francisco Ballet School, Dancing Wheels, Scottish Ballet, Ballet Cymru (Wales), YDance (Scotland), AXIS Dance Company (USA), Candoco Dance Company (UK), Touch Compass (NZ), Amy Seiwert’s Imagery (USA) and Scottish Dance Theatre (Scotland). Marc was presented with a Centenary Medal for Outstanding Contribution as a dancer and choreographer. His work Remember When was nominated for an Isadora Duncan Dance Award for Best Performance (individual) and his recent solo work For Now, I am… was listed in the Guardians Top 10 Dance Shows for 2016. For more information visit: www.marcbrew.com

Mixed Makers

Photo credit: David DeSilva & Misako Akimoto

stafford berry

Stafford C. Berry, Jr., MFA, is an accomplished artist, educator, activist, and scholar of African-rooted dance, theatre, and aesthetics. He is the Director of the Indiana University African American Dance Company (AADC). He is certified in Umfundalai Contemporary African Dance and a licensed Zumba® Instructor. Mr. Berry has toured nationally, and internationally to Europe, Africa, and the Caribbean. He was the Associate Artistic Director of Baba Chuck Davis’ internationally acclaimed African American Dance Ensemble for 14 years; former Co-Director of The Berry & Nance Dance Project; and faculty at the American Dance Festival for 5 years. Mr. Berry’s artistic work is concerned with black male discourse, black folks’ embodied epistemologies, and “making space” for African American, Lgbtqia+, “weirdos,” and disempowered communities. His recent work includes: Double-dutch and Broken Levees ‘2017, a dance about urban cultural play and climate change, set to the music of jazz virtuoso, Wynton Marsalis, and hOw to bUILD a hOuse, ‘2017, a work that juxtaposes the construction of a physical dwelling with the making of a familial, queer safe-space, for which Mr. Berry received the Greater Columbus (Ohio) Arts Council’s prestigious Choreographer’s Fellowship. Wawa Aba ‘2013 his work on the world-class Dayton Contemporary Dance Company, continues to tour nationally and internationally as an audience favorite. In his second year as Professor of Practice in both African American and African Diaspora Studies and Theatre, Drama, and Contemporary Dance at IU, Mr. Berry restaged Good Game, Yo! (2015), a dance about black male relationships, at the 2018 American Dance Guild Showcase Festival in New York City.

Contemporary West African Repertory

Photo credit: Mia Beach

Robbie CooK

Robbie Cook is a Brooklyn-based dance artist working as an Assistant Professor of Dance at Hofstra University in Hempstead, NY. During the summer, he teaches at both the American Dance Festival and Bates Dance Festival. Robbie has taught internationally through Japan Contemporary Dance Network as a member of the Liz Lerman Dance Exchange in Sapporo, Japan, The i-Dance Festival in Hong Kong, and Chadwick International School in Incheon, South Korea and has been invited two times to Universidad de Las Américas in Puebla, México to teach and set choreography on the students. While living in Los Angeles, he played percussion with String Theory Productions at the 2014 Emmy’s Governor’s Ball, led a contact improvisation workshop for the BODYTRAFFIC Company, and was on the dance faculty at Loyola Marymount University from 2011 to 2015. Robbie has also been on the dance faculty of Shenandoah Conservatory, Idyllwild Arts Academy, CSSSA @ Cal Arts, and TCU. As a dancer he has performed for Michel Kouakou, Rosie Herrera, Ishmael Houston-Jones, Douglas Dunn, Liz Lerman, Edwaard Liang, Margaret Jenkins, Liz Gerring, Keith Thompson, Stacy Spence, Laurel Jenkins, Jan Erkert, Third Rail Projects, Lucky Plush Productions, Dallas Opera’s Production of Boris Godunov, and Deborah Hay (SPCP ’01 and ’07) and performed Yvonne Rainer’s Trio A as a duet with Hope Mohr. Robbie’s choreography has been performed nationally and internationally in Chicago, New York City, San Francisco, Los Angeles, Alaska, and Tokyo, Japan, and on students at Pepperdine, UDLAP, Idyllwild, ADF, and Shenandoah Conservatory. He earned an MFA in Dance from Bennington College and a BFA from School of the Art Institute of Chicago. Robbie’s classes draw from his study of Functional Anatomy with Irene Dowd and his continual investigation of the eight limbs of Yoga. Robbie Cook Dance.

WFSS Yoga and WFSS Floorwork

Photo credit: Ben Viatori

LEAH COX (Dean)

LeahCox.Grant Halverson

Leah Cox is an educator, performer, choreographer, and administrator. Cox is Dean of the American Dance Festival and a Term Associate Professor at Bard College. She is currently working with Liz Lerman on her upcoming choreographic project and is a frequent adjudicator for the American College Dance Association. Leah was a member of the New York Dance and Performance Award (the “Bessies”) Committee from 2015 to 2018 and has also been a master teacher and adjudicator for YoungArts. Leah worked with the Bill T. Jones/Arnie Zane Company in various capacities from 2001 to 2014: she began as a company dancer, was the company’s rehearsal assistant, held the position of dancer representative, advocating for dancer’s rights, and became the company’s first education director, launching its education programs. Cox regularly reconstructed the company’s works on student dance programs and professional companies nationwide. When the company merged with Dance Theater Workshop to form New York Live Arts, Cox continued in her education capacity, developing Live Arts’ education programs. She oversaw the six-year partnership between Live Arts and Bard College and, in 2018, launched a new partnership between the American Dance Festival and the college. Her choreography has been presented in New York City at the 92nd Street Y, Dixon Place, the DUMBO Dance Festival, and the CoolNY Festival.

Photo credit: Grant Halverson

mark dendy

MARK DENDY has worked in a variety of dance genres ranging from experimental dance and edgy East Village drag to high-end Broadway productions, prominent ballet companies, and opera to large-scale site-specific works. Mark Dendy Dance & Theatre was presented at PS 122, the American Dance Festival, Bates Dance Festival, The Joyce Theater, Jacob’s Pillow, Lincoln Center, Central Park SummerStage, and Dance Theater Workshop, as well as numerous national and international venues. Dendy has been commissioned by both modern and ballet companies worldwide, most notably Pacific Northwest Ballet. Mark has collaborated with directors Julie Taymor, Tina Landau, Gabriel Barre, Ellen Hemphill, Rebecca Taichman, and Timothy Sheader, with writers Neil Simon and Charles Busch, and with composers Boy George, Heather Christian, Don Byron, Andrew Lippa, Jim Steinman, and Stephen Schwartz. Commercial theater credits include choreography forTaboo and The Pirate Queen (Broadway), The Wild PartyThe Miracle Brothers, and Jacques Brel Is Alive and Well… (off-Broadway), Pippin, Camille Claudel, and Hair (regional and national tours), The Magic Flute (The Metropolitan Opera), Orpheus (NYC Opera), Rappaccini’s Daughter (Gotham Chamber Opera), and the Radio City Music Hall Rockettes. Dendy has received many awards and honors, most notably a 1997 “Bessie” award, a 2000 Obie Award, the National Society of Arts and Letters Sustained Achievement Award (1990), the Herb Alpert Award, and the Joe A. Calloway Award (both in 2000), as well as numerous grants. Recent works include Golden Belt at the American Dance Festival, set in an abandoned tobacco-processing factory in North Carolina (premiere 2009), Ritual Cyclical, an epic site-specific work for 80 dancers, at Lincoln Center (premiere 2013), Dystopian Distractions! at the Lobero Theatre in Santa Barbara (premiere 2014), Labyrinth at Abrons Arts Center (premiere 2014), NEWYORKnewyork @Astor Place at Joe’s Pub (premiere 2015), Whistleblower  at Dixon Place (premiere 2015), and Elvis Everywhere at the American Dance Festival (premiere 2017). dendydonovanprojects.com 

Site-specific repertory project

Photo by Sylvain Guenot

Nia Love

nialove-granthalverson

nia love was most recently awarded the 2019 Gibney DiP Residence and the 2019 Gibney Presents Artist in Residence. nia love is a 2017 Bessie Award recipient for Outstanding Performer as part of the Skeleton Architecture ensemble. A two-time Fulbright Fellow, a recipient of the Brooklyn Arts Exchange/BAX Artist-in-Residence program, and recipient of Dance Theater Works’ Suitcase Fund Award. Her work has been presented at NYU Skirball, Danspace Project, Harlem Stage, Judson Church, Kennedy Center, New York Live Arts, NOLA Cultural Arts Center, MOCADA, Montpelier Arts Center, PS122, Snug Harbor, and the Nafasi Art Space-Tanzania, among others. Presently, the co-Artistic Advisor to the BAX Artist-In-Residence program, and most recently NYLA’s Artistic Advisor to Fresh Tracks. love also serves as Assistant Professor at Queens College, Bard College, and The New School. In Fall 2018, love was a Visiting Professor at UCLA and Sp. 2019 at University of Illinois, Champaign-Urbana.

Modern Root[ed] Technique and Site Specific Composition

Photo credit: Grant Halverson

Ramón Flowers

Ramón is currently an Assistant Professor in the Department of Dance at Butler University’s Jordan College of the Arts. He began his formal dance training on scholarship at the School for the Pennsylvania Ballet and later attended the School of American Ballet. Four years after joining the Pennsylvania Ballet Company, as its first African-American male dancer, he moved to Europe for 12 years as a principal ballet dancer. He spent seven years with the legendary, internationally renowned Maurice Béjart, performing in major cities in over 60 countries on every continent. He later moved to Germany to dance with William Forsythe, director of the Frankfurt Ballet, and then to Madrid to work with choreographer Nacho Duato and the Compañía Nacional de Danza de España. He returned to North America to dance with Montreal’s Les Grands Ballets Canadiens, where the repertoire encompassed pieces by all the choreographers for whom he’d danced in Europe, as well as the works of George Balanchine. He left Canada to return to his first love for dance, musical theater, and was featured in several Broadway shows, including Matthew Bourne’s Swan LakeCatsThe Lion KingThe Green Bird, The Boy from Oz, and Hot Feet. He also appeared in Broadway national tours with Chita Rivera in The Dancer’s Life and in the original production of A Chorus Line in the role of Richie, as well as in commercials, film, and television. Ramon received his BA in French from the City College of New York, CUNY, and his MFA in Dance from the University of Iowa.

Ballet Technique

Photo Credit: Robert Kim

gerri houlihan

Gerri Houlihan began her professional training at The Juilliard School, studying with Antony Tudor, Alfredo Corvino, and members of the Martha Graham and Jose Limon dance companies. She performed with the Metropolitan Opera Ballet and the Paul Sanasardo Dance Company and spent five years as a soloist with the Lar Lubovitch Dance Company touring extensively throughout the United States and Europe. Ms. Houlihan has taught or choreographed for such institutions as NY’s High School of the Performing Arts, the University of Wisconsin-Milwaukee, the Bates Dance Festival, the Boston Ballet, the Harvard Summer Dance Center, Meredith College, the University of South Florida, North Carolina School of the Arts, the University of Richmond, the University of North Carolina-Greensboro, and Virginia Commonwealth University. From 1984 to 1987, she directed her own school and company, the Boston Dance Project. She was one of five finalists in the Boston Ballet’s International Choreography Competition. From 1988 to 1999, Ms. Houlihan was on the faculty of New World School of the Arts in Miami, FL. During that time, she was also the artistic director of Houlihan and Dancers. The recipient of two Florida Individual Artist Fellowships in Dance/Choreography in 1991-92 and 1996-97, Houlihan and Dancers was on the touring roster for the state of Florida. She is a member of the board of directors for the Florida Dance Association and also for the American College Dance Association. Ms. Houlihan has been on the faculty of the American Dance Festival from 1981 to 1983 and from 1987 to the present. As an international representative for ADF, she has participated in eighteen international linkages, teaching in Korea, China, Brazil, Paraguay, Chile, Estonia, Poland, the Philippines, Russia, and Mongolia. She is the 2005 recipient of the Balasaraswati Joy Anne Dewey Beinecke Endowed Chair for Distinguished Teaching and a 2012 recipient of the Pearl S. Tyner Distinguished Professor in Teaching Award. She received her MFA in 2007 from the Hollins University/American Dance Festival MFA program. She recently retired from FSU and currently teaches year-round at the American Dance Festival studios and as a guest artist at Elon University.

WFSS/Drop-in Schedule

Photo credit: Sara D. Davis/ADF

shayla-vie jenkins

Shayla-Vie Jenkins is a performer, teacher, and maker currently based in Philadelphia, PA. She received her BFA from the Ailey/Fordham program and completed her MFA. at Smith College. Jenkins spent a decade (2005-2015) performing with Bill T. Jones/Arnie Zane Company. She is a répétiteur and teacher for the company. Jenkins has also performed and collaborated with numerous artists including Yaa Samar! Dance Theater, Francesca Harper, Alicia Hall-Moran, the A.O. Movement Collective, Emily Manzo, Gus Solomons Jr., Yanira Castro, Rebecca Lazier, Yara Travieso, and Susan Marshall. Jenkins has presented her own work in New York City and is currently engaged in the continued research of a solo work, a hieroglyphics of the flesh, and creative projects with Ni’Ja Whitson and the Merce Cunningham Centennial Event. Jenkins is an Assistant Professor in the School of Dance at the University of the Arts.

Modern Technique and Bill T. Jones/Arnie Zane Repertory

Photo Credit: Anna Maynard

kate jewett

Kate Jewett holds a BFA in dance from the University of North Carolina School of the Arts. She began her career as an understudy in the Merce Cunningham Dance Company. For over a decade she has been a company member of Shen Wei Dance Arts as well as rehearsal director, director of education, curriculum developer, company teacher, archivist, and stager. She has performed extensively throughout Latin America, Asia, Europe, and Australia. Her own works have been performed at DeSales University, the UN, Park Ave Armory, Milano Teatro Scuola, and the Fabbrica Europa and Performatica festivals. Kate is founder and curator of Watusi Regime, a site-specific collaborative performance series in NYC. She is also founder of Moving Minds, a company which cultivates dance and critical thinking skills for various organizations. Moving Minds has conducted dozen of workshops throughout Japan and recently got accepted to SXSW EDU 2019.

Shen Wei’s Natural Body Development Technique and Shen Wei Dance Art Repertory

Photo credit: Paul B. Goode

YANGKEUN KIM

YANGKEUN KIM, choreographer/teacher/dancer/writer, is a professor of Soongeui Women`s College, Artistic Director of Garion Dance Company, and vice president of The Modern Dance Promotion of Korea. She has performed her work with Garion Dance Company, Korea Contemporary Dance Company and Wansoon Yook`s Dance Company, toured Europe, US, and Asia. She is also the Director of JD-KSDF (JD-Korea Summer Dance Festival). Ms. Kim has organized KDF (KADF) since 1990, Seoul International Choreographer’s Festival since 1995 and workshops and JD-KSDF from 2016. She founded Y-Conditioning Association and somatic research along with other choreographers and dance teachers. She teach Healing Technique at ADF since 2004.

masha maddux

Masha Dashkina Maddux is a professional concert dance performer and a dance educator. A native of Kiev, Ukraine she was first introduced to dance through the classical Vaganova ballet technique. After moving to United States she studied under the direction of Ruth Weisen at the Thomas Armour Youth Ballet of Miami, FL and ultimately graduated summa cum laude with her BFA from New World School of the Arts under the directorship of Daniel Lewis. Ms. Dashkina Maddux joined the Martha Graham Dance Company in 2007 and rose to the rank of principal dancer, performing major roles in classical Graham repertoire along with works created by some of the most influential contemporary choreographers. Ms. Dashkina Maddux was featured in Dance Magazine’s “Dancer’s Choice”, and also appeared in projects including newly released Martha Graham Dance Technique DVD, directed by Miki Orihara and Susan Kikuchi, and in a feature film Fall to Rise, written and directed by Jayce Bartok. In addition to performing, Ms. Dashkina Maddux has collaborated with photographers to capture the art of dance. Most recently her image was selected for the cover of the Dior Magazine issue #26 and The Art of Movement, a highly anticipated book conceived and created by the founders of NYC Dance Project, Ken Browar and Deborah Ory. Ms. Dashkina Maddux is the Founder and Director of the Wake Forest Dance Festival, a free and open to the public, family-friendly day of dance, based in Wake Forest, NC, which is currently in its third season. Additionally, she is an ambassador for the Dancing Angels Foundation, a nonprofit foundation that provides scholarships and other assistance to help passionate and committed young dancers fulfill their dreams. In the summer of 2018, she received Alto Jonio Best Dancer Award in Calabria, Italy.  

Footprints (week 1)

KYLE MARSHALL

Choreographer and dancer Kyle Marshall is a 2018 NY Dance and Performance “Bessie” Jury Award recipient and a NJ State Council of the Arts Fellow in Choreography. His dance company, Kyle Marshall Choreography (KMC), sees the dancing body as a site for celebration, an igniter of social change, and a container of history. KMC has performed at venues including Jacob’s Pillow Inside/Out, Joe’s Pub at the Public, Actors Fund Arts Center, NJPAC, NYC Summerstage, Wassaic Arts Project, and Conduit Dance (PDX). He has taught masterclasses and creative workshops at Montclair University, Muhlenburg College, and DeSales University. Residencies have included the Center of Performance Research (CPR), DanceNOW/Silo, and JPAC. Commissions have included Montclair’s dance festival Dance on the Lawn, NJPAC, and Harlem Stage. KMC iscurrently in-residence at MANA Contemporary in Jersey City. As a dancer, Kyle currently works with the Trisha Brown Dance Company and doug elkins choreography, etc. Kyle is a graduate of Rutgers University with a BFA in Dance. www.kmchoreo.com

Mixed Makers

Photo credit: Ted Alcorn

PAUL MATTESON

Paul Matteson is a “Bessie” award receiving performer whose research explores methods for generating inventive personal movement within collaborative choreography. His evening length duet with Jennifer Nugent, another piece apart, recently premiered at New York Live Arts. Paul was a member of the internationally touring Bill T. Jones / Arnie Zane Company from 2008 to 2012. He has also worked with David Dorfman Dance, Lisa Race, Terry Creach, Peter Schmitz, Neta Pulvermacher, and others. He regularly teaches at summer festivals including the American Dance Festival, the Bates Dance Festival, SALT Dance, and Provincial Dance Theater’s Summer School in Yekaterinburg, Russia. Matteson was on faculty at Amherst College and Mount Holyoke College from 2012 to 2017 and during that time was a Massachusetts Cultural Council Award recipient in choreography. He is currently a full-time faculty member at The University of the Arts in Philadelphia. Paul received a BA from Middlebury College and an MFA from Bennington College.

Modern Technique and Partnering

Photo Credit: Joshua Sugiyama

JOHNNIE CRUISE MERCER

Johnnie Cruise Mercer (a native of Richmond, VA, and a BFA graduate from Virginia Commonwealth University’s Department of Dance and Choreography) is a maker, freelance-performer, community educator, and artistic entrepreneur based in New York City. As the Choreographic/Company Director of Johnnie Cruise Mercer/TheREDprojectNYC, his work has been presented/commissioned/shared at the Center for Performance Research-CPR, Bronx Academy of Arts and Dance (BAAD!), the Dance Place of DC, Gibney: Agnes Varis Performing Arts Center, Judson Church Movement Research, the Bolls Theater of Detroit, the Jamaica Performing Arts Center, 92Y Harkness Dance Center, the Billie Holiday Theater (RestorationARTS), Brooklyn Arts Exchange (BAX), NYU Skirball’s AUNTS, and the NADA Conference, as well as recently at the 2018 Fusebox Festival where he received the 2018 Austin Critics Table Award for Best Toured Performance 2018. As an artistic leader and educator, Mr. Mercer facilitates and teaches within the New York Public School system through the Leadership Program­–a mentorship based organization that uses art to foster and engage restorative justice and motivate the true empowerment of self. Mercer has also been on teaching faculty and a guest artist at the American Dance Festival, Bates Dance Festival, NYU Tisch Summer Dance Program, Gibney, University of Massachusetts Amherst, Desales University, Muhlenburg College, and the University of Texas at Austin (in residence as their 2016 Vangaurd Choreographer). Johnnie is currently a 2018 Choreoquest AIR at RestorationARTS and an inaugural recipient of 2018 Partnership Residency at the Stephen Petronio Residency Center (in collaboration with Danspace and DanceForceNYC). www.trpnyc.com

Mixed Makers

Photo Credit: Jonathon Hsu

MOMAR NDIAYE

Momar Ndiaye is an internationally recognized dance artist from Senegal who has taught and toured his work both in the States and abroad. He received his MFA in Dance from the University of Illinois Urbana-Champaign, where he taught contemporary and traditional African dance forms from Senegal, Guinea, Mali, Congo, etc., as well as video dance documentation. Ndiaye has worked with many well-known choreographers from Africa, Europe, Asia, and America through the program AEx-Corps initiated by the Association Premier Temp in Senegal. Since 2010, Momar has danced for internationally acclaimed choreographer Andreya Ouamba in the Dakar-based company Premier Temps and was selected as a Dance Web participant at Impuls Tanz Festival in Vienna, Austria, in 2012. He has been developing work with his own company, Cadanses, since 2004 and has created and toured several staged contemporary dance works. In 2015, Ndiaye’s evening length piece Toxu was a finalist laureate in the Danse L’Afrique Danse (Africa and Caribbean in Creation) Festival in St. Louis and Senegal and was toured to Europe as part of the Belluard Festival in Switzerland. In 2016, Momar was selected to participate in two intercultural projects, Shifting Realities, supported by Tanz Haus and Hellerau in Germany, and 1space, a collaboration between KVS Brussel, Exodus in Ljubljana, Slovenia, and Alkantara Lisbon, Portugal. www.lacadanses.com

Afro-fusion: From bare-feet to sneaker 

Photo credit: Ben McKeown

SHerone PRICE

SheronePrice1.GrantHalversonInstructor, choreographer, and dancer Sherone Price is currently Associate Professor of Dance at Appalachian State University. He has been a lecturer at UNC-Greensboro, a visiting instructor of Dance at Florida International University in Miami, and Artist in Residence/Henry Bascom Professor of Dance at University of Wisconsin-Madison. He has had selected choreography performed by Moving in the Spirit Touring Company, Atlanta, GA, and at the White House, hosted by President George Bush for a reception for the President of Liberia, Ellen Johnson Sirleaf. He has a BFA from the University of North Carolina-Greensboro and an MFA from Hollins University in Roanoke, VA. He has been a Principal Dancer with Chuck Davis’ African American Dance Ensemble and a guest performer with Gamble Dance Theater and Jan Van Dyke Dance Group. He performed Talley Beatty’s Mourner’s Bench at the 1995 Scripps/ADF Award ceremony.

West African Repertory

Photo credit: Grant Halverson/ADF

Sara Procopio

Sara Procopio is a Brooklyn-based dance artist, educator, and arts manager. She is a founding company member and former Artistic Associate of Shen Wei Dance Arts. From 2001 to 2012 her work with Shen Wei included originating roles in 10 works and performing and teaching at renowned venues and festivals throughout Europe, Asia, Australia, and the United States. Since 2012, Sara has performed in the work of choreographer and media artist Jonah Bokaer with appearances nationally and internationally, including the Brisbane Festival, Lyon Biennale, the National Theater of Serbia/INFANT, and BAM Next Wave Festival. Sara’s teaching practice has led her to work internationally at the Paolo Grassi School of Milan and the Korea International Dance Festival in Seoul, as well as at colleges, universities, youth programs, and festivals across the US including University of the Arts, University of North Carolina School for the Arts, Connecticut College, Rutgers University, Middlebury College, Hollins University, Marymount Manhattan College, Florida School of the Arts, Greenville Fine Arts Center, Brooklyn Arts Exchange (BAX), and Jacob’s Pillow Dance Festival. Sara currently teaches at the University of the Arts where she also serves as an Assistant Director in the School of Dance. Sara earned both her undergraduate and master’s degrees from Hollins University. ADF faculty since ’08.Shen Wei’s Natural Body Development Technique

Shen Wei’s Natural Body Development Technique and Shen Wei Dance Art Repertory

Photo credit: 

RAY ELIOT SCHWARTZ

Concluyó el “Laboratorio somático: la imagen corporal” impartido por Ximena Monroy y Ray Schwartz / Encuentro Nacional de Danza 2016

Ray Eliot Schwartz graduated high school from the North Carolina School of the Arts, received his BFA from Virginia Commonwealth University, and received his MFA from University of Texas-Austin. He was the head of the dance program of the University of the Americas-Puebla in México from 2008 to 2018. He is a founder of Performática: Foro Internacional de Danza Contemporánea y Artes del Movimiento, a research associate at the Center for Mind Body Movement, and a consultant and teaching artist for ArcDanz International Dance Workshop. Ray co-founded four contemporary dance projects in the southern US: Sheep Army, The Zen Monkey Project, Steve’s House Dance Collective, and THEM. He has been a guest artist for diverse populations in the US, South East Asia, South America, and Mexico and has served on the faculty of the American Dance Festival, Bates Dance Festival, MELT, the ZMP Summer Dance Intensive, Verano Chilango, Camp_iN, the Colorado College Summer Dance Festival, SFADI, and Opera Prima@elcolectivo, the Mexican television series showcasing national and international talent in the Mexican contemporary dance scene, among others. He is a published scholar who writes in Spanish and English about the interface of somatic movement education and contemporary dance practice. His somatic studies include certifications in Body-Mind Centering® and the Feldenkrais Method®. Additional studies include Zero-Balancing®, Gross Anatomy (Dissection), Bio Mechanics of Sport, Molecular Cell Biology, Cranio-Sacral Therapy, and Traditional Thai Massage. He is delighted to return to ADF this summer to share his love of movement and looks forward to the collective learning that arises from its venerable and vibrant gathering of dance artists.

Somatics and Dancing  and Contact Improvisation

Photo Credit: Gabriel Morales

mayaan sheinfeld

Maayan Sheinfeld was born in Israel in 1992. As a young student, she trained in the RAD method for ballet. She graduated from the Thelma Yellin High School of the Arts in 2010. During that time, she was awarded the Eli Leon Scholarship for Excellence and the America-Israel Cultural Foundation (2007-2010) and the Jeannette Ordman scholarship. Maayan took part in various courses and residencies in the Czech Republic, Austria (Peter Bruer, director of Salzburg Ballet), and NYC (The Julliard School). In 2010, Maayan joined the Batsheva Ensemble. She participated in two original creations by Sharon Eyal: Petrushka (2010) in collaboration with the Israeli Philharmonic Orchestra (conducted by Zubin Mehta) amd Lost Cause (2012). In 2012 she joined Batsheva Dance Company. During her time in Batsheva, she participated in the creation process of three Ohad Naharin works: The Hole (2013), Last Work (2015), and Venezuela (2017), and performed in many other pieces by Naharin. She participated in the creation process of Roy Assaf’s Adam (2016) and Of Marlene Monteiro Freitas’ Canine Jaunatre 3 (2017). In 2018 she received the Yair Shapira Award for Excellent Dancer. Maayan teached Gaga, Ohad Naharin’s repertoire, improvisation and modern classes in various dance schools, studios, courses, auditions, and programs for students and professional dancers. She was awarded with the Outstanding Teacher prize in 2016 for her work with students in the semi finals of the Youth American Grand Prix competition.

Gaga and Creative Process

charles slender-white

Charles Slender-White has worked as a contemporary dance artist throughout North America, Europe, Russia, Hong Kong, and Australia. He is the Artistic Director of FACT/SF, a San Francisco-based contemporary dance company which he founded in 2008. With FACT/SF, Charles has created more than thirty works with commissions by the US Department of State, ODC Theater (San Francisco), CounterPulse (San Francisco), Acid Rain (Chelyabinsk), Dialogue Dance (Kostroma), the Yekaterinburg University of the Humanities (Yekaterinburg), the University of St. Cyril & Methodius (Skopje), and others. Charles began studying Countertechnique in 2005, and became a certified teacher in 2012. There are currently 32 Countertechnique teachers worldwide. Also in 2012, Charles spent a year in mentorship with Elizabeth Streb as part of CHIME Across Borders at the Margaret Jenkins Dance Lab. Prior to moving to San Francisco, Charles performed, taught, and created new work as a company member of Tatiana Baganova’s Provincial Dances Theatre in Yekaterinburg, Russia. Charles graduated with honors from the University of California, Berkeley, where he received his undergraduate degrees in Dance and Performance Studies and English Literature.

Countertechnique and Improvisation for Performance

Photo credit: Robbie Sweeny

SAMANTHA SPEIS

Samantha Speis is a movement artist and improvisor based in New York City. She has worked with Gesel Mason, The Dance Exchange, Jumatatu Poe, Deborah Hay (as part of the Sweet Day curated by Ralph Lemon at the MoMA), Marjani Forte-Saunders, and Liz Lerman. She is currently a performer and the Associate Artistic Director of the internationally acclaimed dance company, Urban Bush Women. Speis was the 2012 recipient of the Alvin Ailey New Directions Choreography Lab and recently was awarded a “Bessie” for Outstanding Performer. Her work has been featured at the Kennedy Center (Millennium Stage), Long Island University, Joyce SoHo, Hollins University, Danspace Project, Dixon Place, Dance Place, and the Kelly Strayhorn Theater. Speis’ solo, The Way it Was, and Now, was commissioned by the Jerome Foundation to be performed at Danspace Project for the Parallels Platform Series and was later invited to the Kaay Fecc Dance Festival in Dakar, Senegal. She has developed a teaching practice that explores pelvic mobility as the root of powerful locomotion and as a point of connection to the stories, experiences, and lineages that reside in each of us. She has been a guest artist and taught workshops throughout the United States, South America, Senegal, and Europe. Recent projects include Walking with Trane, co-choreographed with Jawole Willa Jo Zollar, and her collaboration with Chanon Judson-Johnson and Raelle Myrick-Hodges on Hair and Other Stories.

Classes to be announced!

Photo credit: Erik Carter

rosanna tavarez

Rosanna Tavarez has a diverse background as a performer/entertainer and has had the honor of working with Marina Ambramovic, Ryan Heffington, Travis Payne, Tony Michaels, Rosanna Gamson/Worldwide, and Heidi Duckler Dance Theatre. She also toured with N’SYNC and Jessica Simpson as one-fifth of the girl group Eden’s Crush and covered the Emmys, Grammys and Oscars in addition to hosting her own shows as a television personality for FOX, E!, TVGuide Network, and Telemundo/NBC. She was selected to attend the Countertechnique Teacher Training program in 2016 and is now one of seven certified American Countertechnique Teachers. For the past two years, she’s had the pleasure of sharing the practice of Countertechnique throughout the US. She is on faculty at Studio School and CalState LA and creates her own work under the moniker LA DANSA DANSA. Her works have been supported by an ARC grant from the Center for Cultural Innovation, a UCLA Hothouse residency, and Show Box LA and have been presented by REDCAT, Highways Performance Space, Breaking Ground Dance Festival, Sarasota Contemporary Dance, and the LA Department of Cultural Affair’s LA Dance Platform.

Countertechnique and Improvisation for Performance

Photo credit: David Gordon

Michael Trusnovec

MICHAEL TRUSNOVEC, from Yaphank, New York, began dancing at age six, graduated from the Long Island High School for the Arts and was a 1992 YoungARTS awardee and Presidential Scholar in the Arts. In 1996, he earned a B.F.A. in Dance Performance from Southern Methodist University in Dallas, Texas dancing in the varied works of Anna Sokolow, Frederick Ashton, Bob Fosse, George Balanchine and Martha Graham.

After two years in Taylor 2, Michael joined the Paul Taylor Dance Company in 1998 and spent over 20 years creating new works with Mr. Taylor, performing and teaching around the world, and acting as Associate Rehearsal Director. He was featured in the 2004 PBS Great Performances: Acts of Ardor and the 2013 Paul Taylor in Paris. Mr. Trusnovec continues to serve as the Director of Worldwide Licensing.

Professionally, he has appeared with Cortez & Co. Contemporary/Ballet, CorbinDances and has danced in new works by Larry Keigwin, Doug Varone, Doug Elkins, Pam Tanowitz and Margie and Christopher Gillis. Additionally, he is a co-founder of the Asbury Park Dance Festival, serves as a Dance Panelist for the New York State Council on the Arts, and was a mentor to the finalists of YoungArts 2019.

Mr. Trusnovec was a proud recipient of a 2006 Bessie Award, received a 2016 distinction of “Positano Premia La Danza” Dancer of the Year, and was honored with a 2018 Dance Magazine Award.

Footprints

andrea weber

Andrea Weber was a dancer with the Merce Cunningham Dance Company from 2004 to 2011, performing roles in over 25 works. Andrea is on faculty of the Merce Cunningham Trust, teaching Cunningham Technique® at New York City Center, Barnard College, and the Joffrey Jazz and Contemporary Trainee program. She has also taught at SUNY Purchase, UNCSA, Brown University, Skidmore College, the American Dance Festival, ArcDanz Festival, NYU Tisch, ABT Studio Company, Salem State College, and Dance New Amsterdam. Andrea has staged Pond Way for Ballett am Rhein and Ballet Vlaanderen, Suite for Five for the CNSMD in Lyon, RainForest for the Stephen Petronio Company, Sounddance at UNCSA, How To Pass, Kick, Fall and Run for Boston Conservatory, and the Skidmore Event in the Tang Museum at Skidmore College. She has also created MinEvents for the American Dance Festival, Joffrey Ballet School, and ArcDanz Festival. Andrea arranged and staged the E vents for the Merce Cunningham: Common Time exhibit at both the Walker Arts Center and the Museum of Contemporary Art Chicago. Andrea has been awarded five Merce Cunningham Trust Fellowships since 2012, reconstructing dances including O cean , CRWDSPCR and Second Hand . Andrea has also danced with Bill Coleman, Dance Heginbotham, Jessica Lang Dance, Cornfield Dance, Jonah Bokaer, and Charlotte Griffin.

Cunningham Technique and Footprints

Photo credit: Grant Halverson

blakeley White-mcguire

Blakeley White-McGuire is a New York-based dance performer, maker, and teacher and holds an MFA in Interdisciplinary Arts from Goddard College. She received her formal dance training at the Martha Graham Center in New York City while studying under Pearl Lang, Linda Hodes, Yuriko and Susan Kikuchi, Diane Gray, Terese Capucilli, Christine Dakin, Armgard Von Bardeleben, Marianne Bachman, Yung Yung Tsuai, and Kazuko Hirabayashi. Critically acclaimed as a principal dancer with the Martha Graham Dance Company (2002-2016, 2017), she has embodied the most iconic roles of 20th century modern dance to international critical acclaim. As a leading practitioner of the Graham technique she has toured the globe, been the featured performer in Google’s “doodle” honoring the dance pioneer, and materially contributed to three historical re-imaginings Ardent SongImperial Gesture, and Notes on a Voyage. Simultaneously and throughout her career, Blakeley has created and performed with contemporary choreographers, filmmakers, and directors including Jacquelyn Buglisi, Jayoung Chung, Martha Clarke, Sean Curran, Sue de Beer, Nacho Duato, Daniel Ezralow, Larry Keigwin, Lar Lubovitch, Richard Move, Bulareyaung Pagarlava, Marta Renzi, Pascal Rioult, Robert Wilson, and Anne Bogart SITI/ Company. Blakeley’s original work has been presented by the Museum of Arts and Design, Jacob’s Pillow’s INSIDE/OUT, Battery Dance Festival, New Ballet Ensemble, Baton Rouge Ballet Theater, Roxbury Arts Group, Women in Dance 2018, the Moving Beauty series, ALT 360+, Inside the Dancer’s Art, Quando Eles Dancam, UFO (Unified Fashion Objectives), the Movers & Shapers’ podcast series, and the Martha Graham Dance Company’s Graham 2. Her writing has been published by The Dance Enthusiast, The Huffington Post, Dance Magazine, Performance Research Journal, and most recently in A Life in Dance: A Practical Guide. Blakeley has served on the faculties of the Graham Center, the Ailey School, the New School, The Actors’ Studio, and New York City’s famed LaGuardia High School for the Performing Arts as a teacher of technique, repertory, and improvisation. She is currently on the faculty of Hunter College, Paul Taylor’s American Modern Dance, and the American Dance Festival. Blakeley stages Martha Graham’s repertory internationally, most recently for Paul Taylor, Semperoper, and Ballet Vlaanderen. Blakeley continues to create, collaborate, research, lecture, and perform and is currently a dancer/choreographer/administrator for the inter-generational dance collective Movement Migration.

Footprints

Photo credit: Reiko Yanagi

NI’JA WHITSON

Ni’Ja Whitson LA/NY, is a Bessie Award winning, gender nonconforming/astral transmogrifying interdisciplinary artist and writer, who has been referred to as “majestic” by The New York Times and recognized by Brooklyn Magazine as a culture influencer. Through a global, critical intersection of gender, sexuality, race, and spirit, they engage a nexus of transdisciplinary and African diasporic performance practices in street, sacred, and conceptual performance. Whitson is a 2019 Creative Capital Awardee, 2018 MAP Fund awardee and 2018-2019 Urban Bush Women Choreographic Center Fellow Candidate.  Additional residencies and fellowships include Jerome/Camargo, Dance in Process (DiP) at Gibney, Hedgebrook, LMCC Process Space, Brooklyn Arts Exchange, Movement Research, Bogliasco Fellowship with commissions including St. Mark’s Church at Danspace, American Realness and Vision festivals, ICA Philadelphia, and recent support from Mertz Gilmore and Jerome Foundations. As a noted innovating practitioner of the Theatrical Jazz Aesthetic, Treinel in Capoeira Angola, and accomplished improviser, Whitson performs nationally with renowned musicians, including a close collaborative partnership with Douglas Ewart of the AACM. Other collaborations include experimental and conventional theater, music, and performance with Cynthia Oliver, Jaamil Olawale Kosoko, Virginia Grise, Sharon Bridgforth, Byron Au Yong, and Aaron Jafferis. Whitson received an MFA from The School of the Art Institute of Chicago and a second MFA in Creative Writing from Goddard College, receiving merit and artist awards at both. They are the founder/artistic director of The NWA Project and an assistant professor of experimental choreography at University of California at Riverside. www.nijawhitson.com

Mixed Makers

Photo credit: Melissa Bunni Elian

netta yerushalmy

Netta Yerushalmy is a dance artist based in New York City. Her work aims to engage with audiences by imparting the sensation of things as they are perceived, not as they are known, and to challenge how meaning is attributed and constructed. For her choreographic work Netta has been awarded a Guggenheim Fellowship, Jerome Robbins Bogliasco Fellowship, Foundation for Contemporary Arts Grants to Artists Award, National Dance Project Grant, commission from LMCC’s Extended Life program, Six Points Fellowship, and New York Foundation for the Arts Fellowship. She was recently a Research Fellow at the New York Public Library for the Performing Arts, and is currently a Toulmin Fellow for Women Leaders in Dance at the Center for Ballet and the Arts at New York University, as well as a New York City Center Choreography Fellow. Netta will be an Arts Fellow at Princeton University in 2019-2021. Her work has been commissioned and presented by venues such as Danspace Project, Jacob’s Pillow Dance Festival, Joyce Theater, American Dance Festival, HAU Hebbel am Ufer (Berlin), Wexner Center for the Arts, La Mama, River to River Festival, Center for the Arts/Buffalo, International Dance (Jerusalem), Alvin Ailey American Dance Theater Foundation, 62 Center for the Arts/Williamstown, ODC & Bridge Project, Suzanne Dellal Center for Dance (Tel Aviv), Harkness Dance Festival, International Solo Festival (Stuttgart), Roulette. Her work has been supported by the Baryshnikov Arts Center, Watermill Center,  National Center for Choreography/Akron, Djerassi Arts Program, Movement Research, Gibney’s DiP, Trinity College. Netta works across genres and disciplines: she contributed to artist Josiah McElheny’s “Prismatic Park” at Madison Square Park, choreographed a Red Hot Chili Peppers music video, worked with cellist Maya Beiser and composer Julia Wolfe on “Spinning”, and collaborated on evenings of theory and performance at the Institute for Cultural Inquiry (ICI Berlin). As Guest Artist and visiting faculty, Netta has created work with repertory companies and students nationally at the University of the Arts, Ririe-Woodbury Dance Company, Juilliard School, NYU Tisch School of the Arts, Rutgers University, University of Utah, Zenon Dance Company, American Dance Festival, Alvin Ailey School, SUNY Brockport, University of Texas at Austin, James Madison University, Long Island University, UNC Charlotte, Roger Williams University, and Sarah Lawrence College. As a performer Netta has worked with Pam Tanowitz Dance, Doug Varone and Dancers, Joanna Kotze, Karinne Keithley, Nancy Bannon, Mark Jarecki, the Metropolitan Opera Ballet. Netta grew up in Galilee, Israel. She received a BFA in Dance from NYU’s Tisch School of the Arts and has been in New York ever since.

Mixed Makers

noa zuk & ohad fishof

Noa Zuk is a choreographer and dancer. She spent twelve years as a dancer with Batsheva Dance Company and for the past 8 years has been establishing herself as a choreographer, creating for companies and performing her work around the world. Ohad Fishof is an interdisciplinary artist, working in the fields of sound, dance, performance, and visual art. His idiosyncratic time-based art, ranging from improvised music to site-specific performance work, video, installations, dance pieces and soundtrack work, has been presented worldwide.

Zuk & Fishof have been involved in each other’s work for 15 years. Since 2008 they create dance works for the camera and for the stage collaboratively. Among their works are Garden of Minutes, ADR, The Nothing Trilogy, and One More Song. Their work have been commissioned and presented by companies, festivals, and art organizations in the U.S, Switzerland, Singapore, Germany, Norway, Scotland, England, Russia and Italy. Their latest touring piece, The Burnt Room, a marriage of sound art, performance art, and dance, set for a room, was commissioned by The Center for Contemporary Art in Tel Aviv and Berlin’s n.b.k in 2016. Their most recent creation, Shutdown, was commissioned by Wee Dance Company, Germany, and premiered in May 2018.