International

International

International Choreographers Residency Program

2011 ICR, Ms. Dongnier of China dancing on the Duke University Campus

The International Choreographers Residency (ICR) program invites promising choreographers to the ADF for six and a half weeksweeks and immerses them in the unique breadth and depth of the ADF environment. Since the ICRs come from such a wide variety of backgrounds, and since each has different and individual needs to be met, the program is designed to be flexible enough to accommodate each participant’s individual agenda by providing an abundance of program options.  ADF makes many of its resources available to the ICRs, including:

  • The ADF Six Week School, run by an internationally-known faculty, special workshops, seminars, master classes, lectures, and discussions with visiting artists, critics, and scholars.
  • The opportunity to see performances by the masters of modern dance as well as the newest emerging talent (from the U.S. and around the world).
  • The opportunity to present work created or set on ADF students.
  • The opportunity to teach one master class in the ADF’s WFSS program.
  • An archival repository containing film and video footage of ADF’s performances and special activities dating back to the 1930s — an invaluable resource chronicling the history of an art form. 

“I spend 24 hours a day thinking, taking classes, observing, and thinking about my process as a choreographer, my process as a creator—and that was the most important thing I found—to be closer with the process, to start to look for the real thing in dance.” –Raul Parrao – ICR, Mexico

The cost for this unique program is $4,500, which includes tuition, performance tickets, room, board, and health fee. Participants are responsible for their own transportation to and from the US.

For more information about the ICR program, please contact Jenny Fornoff at jfornoff@americandancefestival.org

Life at ADF

Classes

A primary component of the ICR program is the ADF Six Week School, where dancers from around the country and around the world come to train and to create, to see, and to be seen. Students of all levels are invited to engage in collaborative creative processes with ADF’s diverse and outstanding faculty, extraordinary musicians, and vibrant student body. Participants may take three two-hour classes a day, on Monday, Tuesday, Thursday, and Friday, choosing from approximately 40 daily classes. Available courses will include Contemporary Technique, Composition, Improvisation, Repertory, Ballet, African Technique, Voice & Gesture, and Hip Hop. Special workshops and master classes are offered on Wednesdays, Saturdays and Sundays.

Classes fall into four general categories, described below. Specific class descriptions are available here.

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2012 ICR Guanglei Hui from China

“The purpose of improvisation classes at the ADF is to engage students in an exploration of their creativity. There are skills and techniques of improvisation, and the various classes will investigate several of them. These include releasing technique, contact improvisation, improvisation with speaking while moving, improvisation in site specific situations, Improvisation Technologies, etc. In some situations this improvisation work will be an end unto itself, and sometimes it will be used as a compositional tool to lead each student to find his or her unique choreographic voice. There will also be a weekly improvisation jam where students can practice their skills in a safe and supportive environment.” –Ishmael Houston-Jones

Technique

“How do dancers practice technique in 2011? This fundamental question is both asked and answered at the ADF. Vigorous dialogue regarding the study of dance technique is embedded in the very fabric of the program. The importance of technique class is apparent in many ways at the ADF: the careful and unique arrangement of the daily and weekly schedule, the vast array of techniques and practices from which the student can choose, and the diversity and professionalism of the faculty who teach the courses.” –Brenda Daniels

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2012 ICRs Anna Shchekleina and Alexander Frolov from Russia

“Inhabiting a work as either an interpreter or a collaborator is one of the most fulfilling experiences of a dancer’s training. In repertory, you get to breathe a work of art to life again. In a new creation, your collaborative presence affects the work’s outcome. In both instances, you get to work closely with a group of peers, know a choreographic process, and share your work with the ADF community.” –Mark Haim

Footprints

Participants will have the opportunity to audition for ADF’s Footprints program during the opening weekend of the program. Participants chosen to perform in a Footprints piece will have the opportunity to study intensively with a choreographer or reconstructor on an influential historic or new work for the full 6 weeks. Rehearsals for Footprints will happen within the Six Week School schedule for 3 hours at the end of the day. Past/Forward gives participants a chance to experience working within a professional dance company environment. They will also have the rare opportunity to perform on ADF’s main stage (Reynolds Industries Theater) as part of the ADF performance series during the last week of the festival. The 2013 Footprints artists will be announced in the spring, please check back for updates.

Mentorship

ICRs will participate in special weekly sessions with the ICR Faculty Advisor, Jesse Zaritt, where they will have the opportunity to further develop their choreographic ideas, discuss the performances andchoreography through the lens of their respective backgrounds, and to solicit peer feedback on their work.

faczaritt_icrJesse Zaritt received an MFA in Dance from the Hollins University/American Dance Festival Program (2008). Jesse has recently taught at the American Dance Festival (NC), Hollins University (VA), Pomona College (CA), and the University of the Americas Puebla (Mexico) as well as at festivals in Japan, Korea, and Russia. He has performedhis solo work in Korea, Germany, New York, Japan, Mexico and Israel. His solo ‘Binding’ is the recipient of three 2010 New York Innovative Theater Awards: Outstanding Choreography, Outstanding Solo Performance, and Outstanding Performance Art Production. He has created choreography for the Seminar HaKibbutzim College and the Acco Theater Festival (Israel). Jesse was the recipient of a 2006-2007 Dorot Fellowship in Israel. Jesse was a member of the Hollins Dance Project (2000- 2001/Roanoke, VA), the Shen Wei Dance Arts Company (NYC/2001-2006), and the Inbal Pinto Dance Company (Tel Aviv/2008). Jesse currently dances in the work of Faye Driscoll and Netta Yerushalmy.Jesse graduated Cum Laude in 2000 from Pomona College (CA). ADF faculty since 2008.

Durham & Duke University

The ADF is held for six weeks each summer at Duke University in Durham, North Carolina. The studios are spread across the Georgian-style campus. Performances by visiting dance companies occur in the Durham Performing Arts Center in downtown Durham and Reynolds Industries Theater on Duke’s West Campus. ADF participants are able to use Duke facilities such as swimming pools, tennis courts, bookstores, libraries, and computer labs. The grounds of the University include the formal Sarah P. Duke Gardens and the Nasher Museum of Art.

Performing Companies

An essential component of the ADF experience during the summer is the opportunity to see some of the best modern dance companies performing today. ICR participants will receive a complimentary ticket to one performance by each visiting company in the ADF performance series. Click here to see the 2013 ADF performance schedule.

HOUSING

ICR participants stay in Duke University apartments. The apartments are shared, 2-bedroom apartments located within short walking distance to the ADF offices and dance studios.

TRAVELING TO THE ADF

The closest airport is the Raleigh-Durham International Airport (RDU). It is approximately 18 miles away from Duke University.
Map of Duke University’s campus.

For more information about the ICR program, please contact Jenny Fornoff at jfornoff@americandancefestival.org

ABOUT THE ADF

Founded in 1934 in Bennington, Vermont, by choreographers Martha Graham, Hanya Holm, Doris Humphrey, and Charles Weidman, the Festival serves professional and pre-professional dancers from around the world. The site of 640 premieres, the Festival plays a critical role in increasing the repertories of companies through its commissions and reconstructions; what is seen at the ADF is ultimately seen by audiences throughout the world. Hailed by The Wall Street Journal as “the most important gathering of modern dance professionals and students in America,” each year the ADF School provides world-class instruction to hundreds of dance enthusiasts.

View past participants list.

View International Timeline and History.