Dr. Gerald E. Myers taught philosophy at several campuses, including Brown, Smith, Williams, and Kenyon, retiring as philosopher emeritus in 1991
at Queens College and the Graduate Center of the City University of New York. His books included Self: An Introduction to Philosophical Psychology
(1969), William James: His Life and Thought (1986) (Pulitzer nominee), Self,
Religion, and Metaphysics (ed.) (1961),
The Spirit of American Philosophy (ed.) (1970), Echoes from the Holocaust:
Philosophical Reflections on a Dark Time (co-ed.) (1988), and William James:
Writings, 1878–1899 (ed.) (The Library of America, 1992).
Charles Reinhart and the late Stephanie Reinhart, ADF’s
co-directors, invited Myers in the 1970s
to assist with projects for advancing
public appreciation of the aesthetic and
cultural significance of modern dance. Subsequently dubbed “Philosopher-in-
Residence” by the Reinharts, Myers was also enabled to join hands, professionally,
with his wife, Martha, of the ADF Dance Faculty as well as its Dean.
ADF’s humanities and dance projects focused in the 1980s and 1990s as “The Black Tradition in American Modern Dance.” Summer tours by African
American dancers, together with audience discussions led by African American
scholars at historically black colleges in North Carolina, were followed by years
of national touring. The project’s objective was to remedy the lack of attention,
public and professional, to the influence of black dance artists on American
modern concert dance. This culminated in the national PBS broadcast in
2001 of ADF’s award winning 3-hour television documentary, Free to Dance.
ADF publications edited and contributed to by Myers include Philosophical
Essays on Dance, The Aesthetic and Cultural Significance of Modern Dance,
The Black Tradition in American Modern Dance, African American Genius
in Modern Dance, Reflections on the Home of an Art Form (ADF’s 65th
Anniversary publication), and Modern Dance, Jazz Music and American
Culture (a collaborative project of ADF with The John F. Kennedy Center for
the Performing Arts).
This book, Who’s Not Afraid of Martha Graham?, a highly selective look at
American modern dance and its philosophies, draws substantially upon Myers’
three decades of ADF participation.